CHRISTINE M. KNIGHT

An Australian author who provides insight into the human condition.

Author Christine M Knight's Blog

Tuesday, December 03, 2013

'Life Song' excerpt - Chapter 1

Teams of boys and men weighed down and backwards in a tug-of war, straining not only to hold their ground but also to budge the other side forward. In that moment as Mavis Mills watched the battle, the struggle seemed frozen, a sculpture of intense exertion.

Around them, the many varied events of the annual Agricultural, Horticultural, and Industrial Show formed a colourful backdrop to the tug-of-war scene. To the east of the showground, the Pacific Ocean glittered, rippling sheets of silver. Closer to shore, white capped waves crashed and foamed on the rocky coastline, sounding like distant applause. To the west of the showground, the heat haze of summer shimmered over the hilly rural landscape.

In her late twenties, Mavis knew all about struggle, about feeling stationary while life, with all of its promise and possibility, happened to the people around her. Something, she didn’t know what, was needed to tip the balance in her favour just as it was needed for her son’s team in the tug-of-war.

“Exciting, isn’t it?” Kate Denford said, appearing at Mavis’ shoulder, having returned to the scene with two bottles of water, one of which she passed to Mavis. Kate’s broad-brimmed, straw hat obscured her eyes and shadowed her face. Her brunette hair was pulled back into a long thick plait. That day, she wore red Capri pants and a white cropped top. She was a striking figure, athletically slender, angular, and exuding confidence.

More frustrating, Mavis thought. She had a strong face with brown eyes behind which lurked a smile. Her body was shapely though not overweight. Although Mavis found fault with her figure, men saw her as sexy. She wore a Gypsy top, a flowing floral, partially transparent skirt, and Roman styled sandals. Striding everywhere, her walk marked her as farm bred. She was fond of saying that her walk was the result of constantly stepping over cowpats throughout her teenage years.

“Here, I bought you a hat, Mavis. Sunscreen isn’t enough on days like this. I’m wishing now I’d worn a T-shirt.”

“Oh … That’s considerate of you, Kate, but you shouldn’t have bothered.” Mentally, Mavis did a reckoning of what was left of the money she’d budgeted for the day. She had a small weekly income and had not had the luxury of impulse spending since she had become a single parent six years earlier. “How much do I owe you?”

“Twenty dollars, but I can shout you if …”

“No, it’s fine.” Wishing it really was fine, she shelved her money worries and the problem of how she would end the inertia in her life for another day. Somehow, she would find a way out of her current circumstance. Mavis refocused on the tug-of-war. “Oh, oh … they’re givin’ ground to our side. Pull!” She donned the white hat over her luxuriously black, shoulder length hair but flipped the front brim up.

“Lean into it, fellas,” yelled the anchorman for her son’s team, Gary, with emphasis on into. An avid surfer and lifesaver, Gary was lean and muscular. His chequered cotton shirt was unbuttoned, revealing a naturally fit, bronzed body rather than the exaggerated physique that many men achieved through gym workouts. He wore an earring in his left-ear, although that fashion trend had passed.

Feet planted wide for support in the sandy loam of the showground, muscles straining, the men in Gary Putnam’s team tilted further back almost into a reclined position.

Momentary confusion flickered across the younger boys’ faces; they adjusted their positions forward and, in doing so, lost balance, allowing the opposing team to take some ground.

The opponent’s supporters cheered.

Laughing, Mavis and others around her yelled, “No, boys, lean backwards not forwards. Pull! Pull!” Her six-year-old son, Dan, was one in a line of confused children. Behind them, men of one shape and size or another lined up; those men with a weight advantage were scattered along the line.

In the background, the noise of the sideshow alley, common at all agricultural shows, clamoured and tinkled above the hubbub of the crowd. Occasionally, a distorted microphoned voice announced the next competitive event in the show ring.

“It’s a pity our side doesn’t have fatter blokes, Mavis.”

“I’ve been thinkin’ the same thing, Kate, but look at the other side’s faces. The heat and strain are takin’ their toll. I think brawn is goin’ to win out.”

Both women yelled, “Pull!”

The noise level around them rose to an unintelligible roar. With one voice, the crowd bellowed, “Pull!”

Strain showed on all of the competitors. Gradually, Gary’s team won centimetres of ground in a slow slide. With an unexpected collapse, the battle ended. Gary and the few men ahead of him thumped backwards onto the ground. The rest of the team stayed afoot somehow.

Spectators and competitors merged.

After a makeshift award ceremony and the etiquette-dictated interaction of victors and good-natured losers, the crowd dispersed.

In an effortless move, Gary lifted Dan, small for his age, up onto his shoulders. “Time for a well-earned lunch, a drink for me, and an ice block for Dan afterwards! C’mon, my lovelies!” Gary left without waiting for agreement. They threaded their way through the crowd, passed the livestock sheds and horticultural exhibits, passed the industrial stands, took a shortcut through the arts and craft pavilion, and came out onto a grassed area ringed by a caravan of food and drink peddlers.

On the western side of that area, the first band for the afternoon was finishing their set. The Keimera Show Ball Committee, after a disastrous choice in entertainers for their Show Ball the month before, were auditioning bands for the 1996 Zone 2 Show Society dinner dance which they were hosting. Auditioning bands at the show was an unusual step but local reputation was at stake. Everyone agreed it was crucial to avoid a repeat of the deafening, muddy, instrumental jangle and the related drowned vocals from their own ball.

Twenty-eight societies would be represented at the dinner dance to be held the following Saturday night. It was a very big deal. Two Show Girls from the twenty-eight finalists at the Zone judging would be chosen to go on to the Royal Easter Show Girl state competition, where a trip to the United Kingdom was up for grabs as the main prize. Another musical blunder by the Show Society would be unforgiveable. Heads would roll!

The queues at the food vans moved quickly.

“You sure you’re not hungry, Mavis?” Kate looked at her askance, now very aware of how little money Mavis had after witnessing her coin counting to pay for her son’s meal. Mavis had rejected Gary’s offer to shout them lunch.

“I’m sweet, Kate.”

“What do you want, lady?” the caravan vendor asked Kate.

Passersby stopped to talk to Mavis and Gary while Kate was served. Dan held his hotdog in one hand and his mother’s skirt hem in the other.

With food and drinks in Mavis’ son and friends’ hands, the group headed to the grassed area under the shelter of shade-cloth sails. Leading the way, Gary looked for a spot on the crowded lawn. He wanted one with a good view of both alternate stage areas. Given the personal relationship musicians have with their instruments and their unwillingness to play on hired gear, the Show Society had organized two performance spaces. As one band performed, the next band set up.

After weaving their way through the picnicking crowd, Gary claimed a space for his group. His disregard for the personal space of other picnickers was a reflection of small-town familiarity.

“Nothing danceable about this band,” said Kate, a ballroom dancer since her teens.

“Don’t loll over me, Dan. Mummy’s hot. Sit down next to Gary while you’re eating that hot dog, and chew slowly.”

Kate winced as she listened to the band. “Pity the girl can’t sing. What she lacks in voice, she’s making up in attitude though.”

“Don’t you miss it?” Gary asked Mavis who once had dreams of making it big in the music industry before life had happened to her. A single parent now, her dreams of a very different lifestyle had disappeared when she had fallen pregnant.

“A bit, but y’ know, I still make music at home. That has to be enough. I’ve got Dan now, and he has to come first.”

“So your mother says,” Kate added. “Personally, I think women nowadays can have it all if they work it right.”

“Spoken like a single woman. Between Dan, work, keepin’ things straight in the house, and stayin’ on top of bills, I’m worn out most nights. I don’t know what I’d do without you, Gary, and my parents as backup.”

Nearby, inside the bands’ tent where waiting musicians congregated, tempers seemed to be flaring.

“Take it outside,” someone called.

“Up yours!” another voice shouted.

Gary gestured to the tent. “Maybe we should move over the other side before anything more ‘colourful’ develops here.”

Before Mavis could reply, two young men – one longhaired and in leather and the other in denim – emerged from the tent.

“Mate,” said the longhaired lead singer from the fourth band on that afternoon’s bill, “the amps have got to be cranked up enough to get the balls goin’. I can’t put on a good show if I’m not happy with my sound. No way do I want to sound piss-weak like them.” He gestured to the band currently on stage.

“Listen Dumbo, we want this gig and the work that can come from it; that means volume is out! The other guys get it, why don’t you? They’re behind me on this!”

“Yeah? Where are they then?”

The sound engineer looked over his shoulder and was momentarily taken aback. Set up again, he thought. He gave it his best shot anyway having told them he would. He, at least, was a man of his word. “They asked me to speak for them. There aren’t any screamin’ fans here drownin’ you out to justify the amps you’re askin’ for. I know you don’t get the volume thing, but most people want to hear the music, not be deafened by it. I’ve told you before, when it’s cranked up, and you hit those high notes, it’s like an ice pick to the brain.”

“It’s my job to get people stoked. Maybe that’s goin’ to take more volume than some can handle. They can leave. We’re here to rock!”

“Nah, we’re here to get the gig, and cater for the people, not you!”

“Blokes like you are a dime a dozen. You’re not part of the band. Do as you’re told, or this’ll be the last gig you do sound for us. While I’m the front guy, I call the shots. I’ve heard you out, now do as you’re told. Get back in your box.” The singer walked toward one of the stage areas where a band was bumping in their gear and preparing for performance.

“No amount of loud can cover up a lack of talent,” the sound engineer muttered as he walked away. “We lose this gig, I’m done! Doin’ live sound sucks!”

“The sound guy’s right,” Mavis said, “a band should never be in charge of its own sound. They get it when they’re in a studio but not when it’s live. I reckon that it’s a male thing. Y’ know, ‘How big is your gear?’ In a studio, the equipment outguns a band’s. The other problem is that the sound on stage seems quiet whereas to people like us out here it’s loud.”

“Well,” Gary said, “this band have the volume right yet that walkin’ ego didn’t see it that way.”

“Could be he’s going deaf,” Kate said. “Big ears aren’t necessarily better to hear with.”

Mavis laughed. “So you disagree with the Grimm Brothers?”

Kate grinned at her.

Gary ignored this side conversation and continued, “Or maybe they are used to playin’ in their garage with no audience and don’t realise the point is to entertain the audience.”

“And maybe you and Gary are both right, Kate.”

The audience applauded half-heartedly. The opening chords of the third band’s set claimed the scene.

“Thank God, that band is done!” Kate considered the remaining food before her, a sealed plastic tub of untouched chicken and salad. “I wish I could say the same about this meal. My eyes were way bigger than my stomach. That first tub finished me off. I don’t suppose, Mavis, you’d consider helping me out by finishing it off. If you don’t, it’ll be going into the bin.”

“Well, rather than waste it, yeah, I’ll have it.”

“Thanks.”

“Look at that wolf!” Kate referred to the lead singer they’d just been talking about.

Surrounded by a group of young women, he played the role of rock star while his band set up their gear on stage as the previous band bumped out.

Taking in the wider scene, Gary said, “So far, the music’s not drawin’ a crowd. As soon as people finish picnickin’, they’re movin’ off. I feel like another hot dog. What about you, Dan?”

“Y’ know I don’t like him having nitrates, Gary. I gave in today because—”

“What about that ice block I promised you, matey?” Sitting on the ground, Gary was eye-to-eye with the boy. “Your mum’s a wise one. Best we listen to her, eh?”

Looking at them, Kate was struck by Gary’s sensual appeal: his wind-tussled blonde hair and open face, the taut trimness of his tanned torso, and his undeniable strength. She shook herself. It’s Gary! she told herself. He was a mate as well as her chief supporter at the local surf club which she had captained six years or so since Gary had unexpectedly nominated her for the position. I must have a touch of the sun, she thought. She made momentary eye-contact with Gary, and quickly switched her focus. She missed his thoughtful expression as did Mavis who ate Kate’s leftovers with relish.

Dan at six years old was a handsome boy. Although not Gary’s son, he could have been mistaken for him. Both shared a brilliant smile, dark eyes, and the same mannerisms. The mannerisms weren’t surprising given Gary had functioned as a proxy father to Dan since his birth.

Gary, with Dan beside him, left.

Buy 'Life Song' and get free shipping world wide from http://www.bookdepository.com/Life-Song-Christine-M-Knight/9780987434852

EXTRACT 2

 “He loves your kid, Mavis. If you ever marry …”

“Not much likelihood of that. Guys run the other way when they hear I’ve got a kid. Besides, Gary is his godfather, and in our life for keeps, as you are, unless either of you decide to move on.” After a moment of reflection, she added, “His girlfriend doesn’t like sharing him, y’ know.”

“You’re not wrong there.”

“I only ever saw the positives in lettin’ Gary be part of Dan’s and my life. Lately …” Mavis paused.

“Lately what?”

“I’ve begun to think that might have been a big mistake. Dan is so vulnerable.”

“Gary is as true as a summer’s day is long. Seriously, you’re not worrying about him being a stayer!”

“If he commits to Sarah …”

“Trust me, Mavis, it’s not an issue even if Sarah becomes a permanent fixture!” After a moment’s quiet, Kate added, “It’s a good thing she’s Keimera’s Show Girl. The competition has taken her out of our lives for a while at least. It’s been full on with them, hasn’t it?”

“That’s for sure. What I don’t like is that we’ve had an overdose of her in our lives as well. She can even quote my mother!”

“If we’re really lucky, Mavis, she’ll win Royal Easter Show Girl, and we’ll have an even bigger break from her. If she wins and goes to London, she might not want to come back. Don’t worry about Gary, and don’t cross bridges until you get to them.”

“But you see, I’m beginnin’ to think that as a parent maybe I should consider things more so as to avoid Dan getting hurt.”

“Stop worrying, Mavis. Life is to be lived. Wrapping anyone up in cotton wool is just as bad as not taking due care.”

* * *

Monday, late morning, the first week of February, 1990 (six years earlier), Mavis drove through the bushfire scarred landscape into Keimera from her family’s property in the hinterland where she lived in temporary accommodation, a caravan. Her parents’ home had been destroyed in a recent bushfire, and she’d had a near death experience in it.

The Country Women’s Association’s funds for disaster relief had been used to hire two caravans so that the Mills family had somewhere to live while the government’s special compensation package for people who had lost their homes was being processed. At this stage, Mavis’ parents intended to rebuild on their land and continue their pastoral lifestyle.

It was seasonably hot. By eleven, Mavis’ car thermometer registered thirty-three degrees Celsius. The radio news said the day would be another scorcher.

Despite this, Mavis did not feel the heat as many other pregnant women did. She was fit, a good weight, and, from the rear, did not look pregnant. The fit behind the steering wheel was snug though, something her parents had argued was good cause for them to chauffeur her in and out of town. She had resisted, clinging to the last vestige of her freedom before the arrival of her child.

Cresting the final hill before the descent into Keimera, Mavis took in the panorama. To the north, a rugged, unpopulated headland adjoined a pristine beach, suitable for surfers but not swimmers due to its dangerous rips. Next, Pipers Point where Madison House, a white two-storey colonial mansion, dominated the peninsula. Although not visible from this vantage, Mavis knew the historically significant house, representing the former pastoral glory of the region, as well as she knew her parents’ property. She had boarded at Madison House for almost four years while working in town. In that time she had forged friendships that she hoped would last a lifetime, had fallen in and out of love and, after the breakup, discovered she was pregnant.

Glimpses of the picturesque town and the coastal road that twisted southward through the rural landscape marked the road’s descent. The view rapidly disappeared as the car reached sea level.

Aware of a dull backache but attributing it to the suspension in her car seat and the awkwardness of her driving position, Mavis felt ravenous. She drove underneath the new expressway that bypassed Keimera.

Gone were the traffic jams of past years when the warmer months brought the onslaught of tourists travelling south. Keimera was still busy but with genuine traffic interested in spending time in the area rather than cars edging through it on the way to Bateman’s Bay and beyond.

As she turned right at the main roundabout, Mavis saw Gary waiting for her on the parkland side of the road. A real estate salesman, he was dressed business-casual, a trend set by Bill Gates of Microsoft, in a crisp white shirt, dark trousers, and polished black leather shoes.

Pulling over, engine still running, Mavis considered parking; she needed to go to the toilet. Looking at her wristwatch, she decided she could hold on until she reached the doctor’s surgery. It would be quicker than stopping now. After Gary climbed in, she pulled out into the light traffic.

“Thanks for standin’ in for Cassie today, Gary. It was the only appointment I could get this week.” Cassie Sleight was Mavis’ closest female friend and had been a stalwart support throughout the pregnancy, unwanted at first. They had met and become firm friends after Cassie came to board at Madison House just over two years earlier.

“No sweat; it’s a one off! Geez, mate, have you got bigger, or is it just the way you’re sittin’? You should’ve let me pick you up or your dad drive you in. Thank God for air-conditioning. You feelin’ okay?”

“I feel great now, but I had a terrible night. For some reason, I dreamt about Terry and … that last month with him.” Terry had been Mavis’ boyfriend. They had lived together six months or so after she’d moved out of Madison House. The emotional scars from that relationship were something that she would live with for a long time.

Gary still remembered the shock of seeing the physical abuse Mavis had suffered at Terry’s hands. If it took a lifetime, Gary mentally swore to make up for his failure to protect her from such a man.

The tooting of a car horn brought Gary back to his surroundings. “What the …?”

The driver in the car ahead of them was clearly impatient for another car to complete its angle parking. The medical surgery was a block ahead of them.

Mavis rocked in the driver’s seat.

“You okay?”

“I just need to go to the loo. C’mon! How hard can parkin’ a car be?”

“Let’s talk about something else. You know the sayin’…”

“Watched cars take forever to park.”

Gary laughed. “Something like that. Decided yet where we’ll go for lunch?”

“Sails, it has the best seafood in town! I am starvin’! My stomach has had an odd sort of grumblin’ the whole trip. I should’ve had breakfast, but the pain from last night’s nightmare just sat on me, and I couldn’t eat then. Maybe we should phone the order in and get them to hold a table for us.”

“Kate may have the medical practice runnin’ on schedule, but she says there are always hiccups. Let’s not jinx ourselves.”

“That place runs like clockwork because she knows her doctors and plans for problems. Nothing is goin’ to happen so let’s order ahead. Pity Kate couldn’t have lunch with us. I … Gosh, what was that?”

“What, mate?”

“I heard and felt a ‘pop’. Sort’ve like a balloon breakin’. Oh, no!” Mavis was unexpectedly quiet for a moment. “I think my water has broke.”

“Are you sure?”

“Well, not really, not havin’ been through anything like this before.” She didn’t add that her underwear felt wet, really wet.

“If it has, we’re in the right place.” They were outside the medical practice. “At least there are lots of parkin’ spaces here. Any contractions?”

“No, the doctor said it’s usual for first-time mums to overshoot their due date. I should’ve gone to the toilet when I stopped for you. The bowel pressure is really awful.”

“Way too much information, Mav’!”

Getting out of the car, Mavis was appalled at the flow of water as was Gary. He rushed ahead of her. She tried to clench shut, her legs almost crossed, but the water just kept coming and continued to come as she walked awkwardly along the footpath toward the surgery.

Torn between excitement at the possibility of birth and concern that the lunch she’d salivated over would be missed, Mavis reached the surgery’s doorway. It opened on Kate who had a wheelchair, its seat covered in thick towels. Gary hovered behind her.

“Gary, can you call Sails and order lunch for me? I’d like …”

“Hold off Gary until she’s been checked.” Kate whisked a protesting Mavis into the doctor’s room and then returned. “Dr Tim will run a test to see if it is amniotic fluid or not. He’ll also check to see if she is dilating yet. You say she’s not had any labour pain so that’s unlikely. When we know what’s going on, you can let her parents know and phone the school to give Cassie a heads up that we might be expecting a birth in the next twenty-four hours or so.”

“Given Cassie is Mavis’ support person, don’t you think she should come now?” Cassie Sleight was a teacher at the local high school.

“Jumping the gun there, Gary. There’s plenty of time.”

The practice nurse emerged from the doctor’s room. After wheeling Mavis to the curtained casualty room at the back of the surgery, the nurse reappeared and beckoned to Kate, taking her out of Gary’s sight. The doctor followed moments later.

Next thing Gary heard was Kate’s shocked, “Surely not!”

There was a flurry of activity and, for a while, Gary was forgotten. Eventually, Kate returned to him as the local ambulance arrived to take Mavis to hospital.

“Gary, I’ve phoned the school to let Cassie know she needs to get to the hospital now. The receptionist up there needs to be pastured, nice old dear though she may be. She cut me off twice before I was able to leave a message. So frustrating! Mavis wants you to go with her in the ambulance so I’ll phone your office and fill them in.”

“I’ve got an appointment at three, but I’m free till then. Ask for James to take it for me if I’m late. What about Cassie?”

“I’ll go up to the school to tell Cassie. After that, I’ll drive out to Mavis’ parents to let them know. It’s at times like this that you wish the older generation were into mobile phones.”

“Even if they were, it’s a black hole communications-wise out there,” Gary said.

As the male paramedic wheeled Mavis outside, Mavis asked Kate, “You sure Gary can’t order me something from Sails? They do deliveries. Christ!” She doubled over in the wheelchair, her breathing pattern changed, and she grunted with involuntary pushing.

The practice nurse, who stood near Kate, looked at her watch. “Five minutes exactly. She’s in a regular pattern now.”

“Breathe though the contraction, love,” said one paramedic while the other counted the duration of it. “That’s it. You’re doing fine. Try not to push yet. I’ll tell you when you should if it gets to that.”

Now in the ambulance, Mavis said, “It can’t come now; I’m not ready. It’s all happenin’ too fast. I thought I was goin’ to be overdue. I’m not psyched to go now! Do I have to have a drip? This isn’t part of our birth plan.”

“Babies don’t know about plans. Here mate, you want to hold your wife’s hand?”

About to correct the paramedic, Gary read Mavis’ anguished face and remained silent. Although there had been a trend for many women to be unwed mothers, he knew Mavis felt shamed by her situation. Worse, she worried about a fatherless life for her child.

“I really need to go to the loo,” Mavis said after another contraction.

“Birth’s imminent, that’s why you feel like that.”

To Gary, the trip to the hospital seemed inordinately long, the experience surreal. He couldn’t believe it was happening. He stroked Mavis’ head, encouraged her to breathe through the pain, and endured having his hand crushed periodically.

At the hospital, things seemed to move in sped-up time. He looked for Cassie, but she wasn’t there yet. He stayed back to leave a word with the desk nurse, but at Mavis’ insistence followed her. They were rushed into a delivery room. Like a drowning woman holds onto a life raft, Mavis clung to Gary. All of his thoughts were centred on her. He found comfort in seeing the midwife, a well-upholstered woman who was clearly in command of the situation and unperturbed that the obstetrician/gynaecologist had not as yet arrived.

During the birthing process, Gary experienced an intense connection to Mavis, a divine communion that he would never forget. As the labour intensified, fear for Mavis and her child gutted him. It was such a small passage. Surely, the child would be crushed. What if it got stuck? In the sweat and strain of birth, as the baby’s head crowned, he marvelled at the miracle of it. It was bloody amazing!

Euphoric, he held the baby boy first at Mavis’ insistence despite the medical staff insisting she should have first contact. She said she needed some respite, some personal space. A time to breathe without pain. To recover from the shivering that had seized her.

An intense wave of emotion swept over Gary as he held the baby. Such a small bundle of perfection! He had never felt as close to anyone as he did to Mavis and her son at that moment.

Reluctantly relinquishing the baby to Mavis, he committed again to making amends for his past failure to her. Unlike his own childhood, this boy would not grow up without a caring man in it. Bending over to kiss Mavis on the forehead, he said, “Y’ did good. I’m real proud of you.”

* * *

1996 Keimera showground. “Wonder where the boys are,” Mavis said to Kate who had returned from depositing their rubbish in the bins.

“I’ve been looking for them too, Mavis.” Kate cringed. “Ice pick to the brain doesn’t do justice to how that guy sounds. Let’s walk toward where the boys should be coming from.”

At the juncture of the food caravans and side-show alleys, the group reconnected. Gary had a thirty-something man in tow, dressed simply in black sneakers, black jeans, a white T-shirt, and a cutaway black vest.

Kate’s, “There they are!” and Gary’s, “Look who I ran into,” overlapped.

“Tony!” Mavis said, “Sorry to hear about your group breakin’ up. What happened?”

“G’ day, Mavis, Kate. Creative differences … You know the rest. I’m feelin’ cursed at the moment.”

Mavis’, “Reformin’ a band can be hard,” overlapped Kate’s, “Why?”

“No, that was easy; I only had to replace the singer. Problem today is he hasn’t turned up for the gig this arvo. When Nick, our drummer, phoned his home, his mother said Matt took it into his head to go to Queensland yesterday. Bloody dope head; this is the final straw! He might be an amazin’ performer when he’s clean, but what good is that if he’s off his head or out of it or just doesn’t show?” He looked at Gary.

“I thought you might help Tony out by fillin’ in as his singer.”

“Gary, I haven’t sung in public for years. Besides, I’ve never jammed with Tony or his guys. If I remember right, Tony, you sing.”

“Yeah, but only backup. We need your help, Mavis. I want to avoid us gettin’ a reputation as a no-show.”

“Jesus, Mary, and Joseph!” Gary cringed as did people everywhere in reaction to a high-pitched note.

Dan’s attempt to be helpful by echoing advice Mavis had given him about helping out friends went unacknowledged.

“C’mon, Dan,” Kate said. “Let’s have a ride on the Ferris wheel while your mum is sorting this out.”

Mavis looked at her gratefully. To Tony, she said, “Are you guys playin’ to music?”

“It can be to sheet music if that’ll get you on board, if you pick songs that we’ve got the music to. We’re good at listenin’ to each other when we play, and we’ll follow your lead. Why not start with a solo, something you’ve written, so you get into your comfort zone. You can borrow my electric acoustic.”

“Geez, I can’t do this cold, and there isn’t time for a run through.”

“Sure there is.”

“I don’t see how …”

“I’ll get the guys.” Tony was gone.

“What have you got me into, Gary?”

Gary gave her his Mickey Mouse grin and pose. “You’ll be great!”

End Extract 2

Buy 'Life Song' and get free shipping world wide from http://www.bookdepository.com/Life-Song-Christine-M-Knight/9780987434852

EXTRACT 3  I apologize for the belated uploading of this third promised extract. We had a death in the family. This final extract has been uploaded as a separate blog. 


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    Saturday, August 12, 2017

    Life Song - a story of metamorphosis

    Saturday, August 12, 2017

    Twenty-two-year-old Mavis Mills first appears in my novel In and Out of Step. Outgoing, gregarious, and confident, Mavis is a significant secondary character in that novel.  Mavis' story - a subplot - is used to provide contrast to and insight into Cassie Sleight's (the central character) journey. 

    At one point in the novel, effervescent Mavis is severely injured – physically, emotionally, and psychologically - by domestic violence and the fire of her partner’s rage. He also destroys her guitar and the copies of her original songs. Part of  the subplot from In and Out of Step explores the context of the domestic violence and provides insight into the psychology of it. Excuses are not made.

    At the start of Life Song, Mavis is twenty-eight-years-old and very different from the young woman who shone throughout most of In and Out of Step. She is the central character in Life Song. She has become subdued, distrustful of her own judgement, and an echo of her former self. Unexpectedly, she discovers she has a choice: continue to live a life tainted by domestic violence or seize the opportunity before her and try to rise above her circumstance and, like the phoenix bird, leave the ashes of her past life behind.

    'Could she live the rest of her life as she'd been living. She couldn't, not now she'd glimpsed another world, fleeting though that vision had been.'

    Life Song is not a cliche 'chic musician on the road' story and is definitely not a romance. It is about the woman Mavis becomes and the people who stand by her as she undergoes transformation – physical, psychological, and to an extent spiritual. She does not solve her problems in the arms of a man but makes the hard choices herself.

    The drama comes from the tugs-of-war that Mavis has to work though. It is made all the harder because Mavis' heart is in conflict with itself. One person, no matter how strong, cannot win a tug-of-war alone. The same applies to Mavis.

    Readers learn about the things that give Mavis strength and that enable her to boldly embrace the inevitable changes coming into her life as she becomes Nikki Mills, the Song Bird from Oz.

    I recommend you listen to two songs from that novel: Sunshine Days and Life Song (A Vision Splendid) to get a feel for this story.

    There are many kinds of wins in life, most of them personal rather than widely acclaimed. It's those personal 'brave heart' moments that define Mavis. Reader feedback through my publisher and website is that Life Song is a gratifying read.

    As part of your journey in reading this blog,  I suggest you listen to Move On.  In my imagination, it is first sung by Mavis' support network, but ultimately the song becomes her personal mantra.

    Australia is a diverse landscape and has diverse communities. Life Song gives readers an opportunity to spend time in some of those communities. The title alludes to the fact that each character's life has its own melody and when sung in concert become the symphony that is Life Song

    Notes:

    Life Song is one of four novels in The Keimera Series. Each novel is a standalone narrative and has the backstory woven into it.  The Keimera Series is an opus.

    Keimera does not in any way allude to chimeraa monstrous fire-breathing hybrid creature from Greek mythology.

    If you would like to lend me your support so that I can produce more music from my novels, you can buy any of my songs from CD Baby.  Each of my songs can be purchased for the very small price of $1.69. My music is also on iTunes and other major online music sellers as well.



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    Sunday, June 25, 2017

    The story behind my song 'The Flame'

    Sunday, June 25, 2017


    'The Flame' features in my novel ‘Song Bird’. In the novel, it is sung by rock legend Rick Brody who serenades Nikki Mills (the central character in the novel). In real life, it was sung by Funnie Williams and Thanapat Yarchartoen (aka Film). I produced the song through Karma Sound Studios in Thailand.

    BACKSTORY TO 'THE FLAME' - The Singer or the Song?

    In ‘Song Bird’ and its prequel 'Life Song', Nikki Mills - the Girl from Oz - is a survivor of domestic violence. Once an innocent, she believed the very convincing serenade of her first significant love, Terry Kikby. Long before Nikki met Rick, his song 'The Flame' resonated with her.  She believed that Rick's songs really expressed his own ideas and values.

    Having been at the top of the music industry for sixteen years, Rick finds his music is dropping in the charts. Defined by his 'bad boy' image, he has lost sight of his real self. Consequently,  his music has lost its connection with his fan base. Interested in Nikki as a woman as much as in her skill as a lyricist, Rick collaborates with Nikki on a new album. 

    Flattered by Rick's interest in her and impressed by 'The Flame', Nikki embarks on a relationship with him.  A subplot in the novel explores the ramifications of that decision.  Can she help Rick find the heart that his music once had?  Will Nikki be hurt or healed by the relationship with him?  The answers are found in my novel 'Song Bird'. 

    Readers of this blog may also find the pop rock song 'Masque' and interesting insight into Rick and Nikki's relationship issues.

    I currently have 8 songs on CD Baby and iTunes. You can help me raise the money to produce the rest of my songs by buying one or more of my songs at the very small price of $1.69 per song. They are on sale at CD Baby and  iTunes. Online music streaming services such as Spotify and Deezer promote my music, but I only earn approximately one cent per one hundred streams. 

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    Sunday, June 25, 2017

    The Story Behind Pop Rock Song 'Masque'

    Sunday, June 25, 2017

    'Masque' is a duet between charismatic rock star, Rick Brody, and singing sensation Nikki Mills (the Girl from Oz). They are fictional characters in my novel, ‘Song Bird’, which is on sale through Amazon, Book Depository, and other online booksellers as are my other novels' 'Life Song' and 'In and Out of Step' - in paperback and eBook formats.

    'Masque' features the vocal talents of Australians, Skye Elisabeth and Nic James. I am the composer and executive producer for all of my music. Although I am a musician, I no longer perform publicly but use talented session musicians.

    I use music as part of my writing process when developing a novel as it allows me to explore character perspectives, challenges, and personal journeys.

    My song ‘Masque’ evolved out of my exploration of Rick and Nikki’s relationship when developing 'Song Bird', the novel . The song helped me better understand rock legend Rick Brody, the impact of being a rock star on Rick's relationship with Nikki, and the core obstacles they faced. Rick Brody is one of four pivotal men in Nikki Mills' life.

    Wider Relevance
    The song has relevance for anyone who feels compelled to be what others expect the person to be rather than being true to self, something that is much easier said than done.

    'Masque' also has relevance for a diverse number of people. For instance, I play many roles: wife, mother, daughter, sister, friend, teacher, author, musician and so on. I understand how the expectations and demands of others put me under pressure not to let others down. In trying not to short-change others, it was so easy to forget about who I was separate from those roles and what my being real meant.

    The context behind the song 'Masque'
    In ‘Song Bird’, Rick Brody is charismatic rock star who has been living the cliché - sex, drugs and rock ‘n roll. Like the Tinman from Oz, Rick is injured by his trade. For the Tinman, it was his axe. For Rick Brody, it was his status as a rock star and image of 'bad boy’. He became defined by those roles. Life became a masquerade.

    In both cases, the Timan and Rick become manufactured men in want of heart.  Rick’s preoccupation with living the cliché meant that his music lost its heart and the appeal that had drawn audiences to him as he rose to the pinnacle of the music industry.

    By contrast, Nikki refused to sell out in order to achieve success. She was determined to get to the top on her own terms and to not be treated as a commodity in the industry.

    At the Australian Recording Industry Awards, Rick asked his manager to connect him with Nikki after seeing her perform. Rick claimed his primary interest in Nikki was musical collaboration, but his libido and history of conquests shaped his reason for collaborating with her and definitely shaped the way he interacted with her.

    Although Nikki pretended not to be attracted to Rick, she was flattered that he was ‘interested in her of all people. Unlike his fans, Nikki did not have an urge to flash her breasts, hand over her panties, or suggest a threesome.’  She maintained a mask of cool indifference and stayed work-focused throughout the early stages of their musical relationship. Consequently, Rick viewed Nikki as a challenge. Committed to the long game in winning her, he courted.

    A survivor of domestic violence, Nikki was cautious about the men with whom she mixed.  ‘Song Bird’ explores the ripple effect of her decision to work with Rick. Can she help Rick find the heart that his music once had? Can he become real with her? Will Nikki’s relationship with him injure her?

    You can read more about 'Song Bird' here and on other pages at my website.

    You can help me raise the money to produce the rest of my songs by buying one or more of my songs at the very small price of $1.69 per song. They are on sale at CD Baby and  iTunes. The online music streaming services such as Spotify and Deezer promote my music, but I only earn approximately one cent per one hundred streams. 

    Note: As the novels are set in Australia, I use the British spelling system and language conventions. There are minor differences to the American system.

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